Detail from service feature with printed sample in Selectasine handbook, 1926. Serico-Eich archives.

The Forgotten History of a Medium

Art in Print covers from Volume 1 and 2.

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Screen capture of the archive page for the “People Holding Posters” Tumblr blog by Nate Gagnon.

Stagecraft: Designers, Artists and the Theater of Print in a Digital World

Arturo Herrera, detail from Robert Schumann–De La Luzidez A La Locura, Von Andres Ruiz Tarazona, 1975, Real Musical, S.A., Madrid from Books (2012).

The Books of Others: Arturo Herrera’s Berlin Books Project

John Sparagana Reads the News

Sparagana’s dissection and resuturing of news images is ambitious, labor intensive and potentially profound.

This article appears in the July-August issue of Art in Print (Vol.4, No.2).

Hartt, Cordova, Barrow: Three From Threewalls

Chicago-based Threewalls joins art organizations across the country in adapting the local food movement to culture. This portfolio manifests one such tactic.

This review appears in the July-August issue of Art in Print (Vol.4, No.2).

Shadow Journeys

Strange things happen in the dark and quiet mises-en-scènes of the Swiss etcher Peter Bräuninger. The recent retrospective and catalogue provide an overview of the artist’s wry investigations of desire and perception.

This review appears in the July-August issue of Art in Print (Vol.4, No.2).

Screenprint 2014

Screenprint can be found on artist’s prints, gig posters and monumental canvases; on skateboards and circuit boards and dashboards, not to mention all those T-shirts. This fluidity may be the closest thing screenprint has to a distinctive identity, which makes it either the most boring or the most interesting medium on the planet.

This article appears in the July-August issue of Art in Print (Vol.4, No.2).