Vincent van Gogh, detail from La Berceuse (Woman Rocking a Cradle; Augustine-Alix Pellicot Roulin, 1851–1930) (1889).

Cézanne and Wallpaper: “Backgrounds As Imaginary As They Are Real”

Edward Bawden, detail from Sunday Evening (1949).

Charm, the Great English Blight: Edward Bawden in 1949

Detail from packaging for Harry Gordon’s Poster Dresses (1968). Photo: Panos Davios. ©Atopos cvc collection, Athens.

‘Fragile,’ ‘Souper’ and POP! The Atopos Paper Fashion Collection

Jasper Johns, detail from Regrets (2014).

The Enigma Machine, Jasper Johns

Chiaroscuro Woodcut: Baselitz Divided

Georg Baselitz began collecting chiaroscuro woodcuts in 1965 and soon after began adapting the technique to his own work. Two recent exhibitions catalog this relationship.

Beyond Tamarind

June Wayne is famous as the founder of Tamarind Lithography Studios, but her own art is not well-known.

This review appears in the September-October issue of Art in Print (Vol.4, No.3).

Vector Analysis

Owen Duffy reviews Louise Lawler’s wall-conquering vector traced photographs of famous art in private settings.

The Forgotten History of a Medium

Though ubiquitous in today’s world, screenprint has never been the subject of serious historical study. Stephen Goddard reviews Guido Lengwiler’s detailed account of the medium in the first half of the 20th century.