Anders Bergstrom, detail of Grease Bag (2013).
Paulus III Behaim von Schwarzbach (1592–1637), detail of Regeln, so im Kupferdrucken, so woln in abtruckung der Holzstöck fleisig in obacht zunemen (1628).
EX LIBRIS, Mark Dion, bookplate (2002).
Richard Hamilton, detail of He foresaw his pale body (1990–91).
For years, the ever eloquent and quixotic sculptor Martin Puryear has made forays into printmaking. These forays, always brief, extend particular motifs from Puryear’s three-dimensional repertoire. They also illuminate with a distinctive clarity that opposition between the sculpture’s undeniable presence and a print’s inherent separation of image from material. Art in Print Editor-in-Chief Susan Tallman reviews five of Puryear’s recent etchings. Read more.
Montreal’s cosmopolitan and dynamic art scene embraces print, multiplicity and ephemerality on a sometimes enormous scale. Jason Urban reports on the art, the people, and the city he describes as “an ideal incubator for contemporary print.” Read more.
In the first iteration of Art in Print’s Prix de Print open competition, juror Jane Kent selected Justin Quinn’s Fallen Chapter 71 or 4836 times E (2012). Kent explains why. Read more.