Los Angeles-based artist Mungo Thomson has recently completed an ambitious new project at Highpoint Editions in Minneapolis. Thomson’s work is deeply rooted in the legacy of conceptual art—particularly the West Coast iteration seen in the work of such pioneering artists as John Baldessari and Edward Ruscha—and often has a strong connection between language and image. His project at Highpoint follows the artist’s mirrored paintings from 2012, which replicate the format and typography of Time magazine on their surface while also reflecting the viewer. The Highpoint prints are based on Time-Life books, a popular series of general interest volumes published in the 1960s and ’70s. One print reproduces the colorful spines of the 14-volume series Human Behavior (published in 1976); the other replicates the cover of The Forest, a volume in the Time-Life Nature Library (published in 1961). Nearly four feet high, both prints render their subjects monumental and imposing. Siri Engberg discussed the project with Thomson.
South African Impressions
- by Nadine Orenstein
- An overview of contemporary printmaking in South Africa.
Memory Work: Louise Bourgeois
- by Faye Hirsch
- Prints and books by the artist.
Prix de Print No. 27: Our Good Earth? by Nathan Meltz
- by Christina Weyl
- A dystopian take on John Steuart Curry’s 1942 painting.
Art in Art in Print No. 7: Kate McCrickard, Drinkers (2017)
- by Kate McCrickard
- The seventh in a series of artist's projects designed for Art in Print.
Tucker Nichols: Something Beyond the Truth
- by Leora Lutz
- Paintings and prints to drawings for the New York Times.