Click on each month to expand.
Exhibition: Tue Apr 2- Fri May 31
online - Emanuel von Baeyer Cabinet
In 1963 Philip Guston created his first lithograph at Tamarind. In 1966 he did a series of lithographs at Irwin Hollander’s workshop that were graphic reflections of his paintings, which are the core of this online exhibition.
Exhibition: Thu May 2- Sat Jun 15
Gemini G.E.L. at Joni Moisant Weyl, New York, NY
A small selection of Ellsworth Kelly’s collaborations with the Gemini G.E.L. artists’ workshop.
Image credit: Ellsworth Kelly, Blue with Black I (1974). ©1974 Ellsworth Kelly and Gemini G.E.L. LLC.
Exhibition: Thu May 2- Fri May 31
O2 Gallery & Project Space at Flatbed Press, Austin, TX
Craig Mindell’s woodcuts include cityscapes, portraits, house renderings and still lifes.
Exhibition: Fri May 3- Sat Jun 1
Paul Stolper Gallery, London, UK
“Norwegian Wood” uses the music of the Beatles as its main reference point. Borrowing titles of songs and lyrics, the artist creates new works by transforming and changing these well-known word combinations into a new visual language. “I use letters and words as the architecture of my works - both for composition and conceptually, as a kind of emotional architecture.” (Magne F, March 2013.)
Exhibition: Fri May 3- Sun Sep 8
Art Gallery of Greater Victoria, BC, Canada
One of Canada’s most important printmakers, David Blackwood has depicted the life and locations of Newfoundland for 30 years, but his is a Newfoundland of the imagination—of epic struggles for survival and of cosmic forces at odds—as much as it is a geographical reality.
Exhibition: Sat May 4- Sun May 26
Serena Hall Gallery, Southwold, UK
Serena Hall Gallery will be hosting an exhibition of limited edition prints from the Curwen Studio.
Exhibition: Sat May 4- Sat Jun 29
The Annex Galleries, Santa Rosa, CA
William Seltzer Rice (1873-1963) is noted for his timeless images depicting California’s dramatic terrain and nature’s exquisite flora. This exhibit features his color woodcuts, etchings, drypoints, watercolors and linoleum cuts.
Exhibition: Fri May 10- Wed Jul 3
Highpoint Center for Printmaking, Minneapolis, MN
Therese Krupp considers herself a storyteller and her woodcut prints an interpretation of a story.
Exhibition: Sat May 11- Sat Aug 31
David Krut Projects, Cape Town, South Africa
“The Benediction of Shade” is a group exhibition featuring a large selection of artists who have engaged with the figure, idea or metaphor of the forest or the tree in different ways and through various media. On view will be various prints by artists like William Kentridge, Sean Slemon, Ryan Arenson, Diane Victor, et al.
Exhibition: Sat May 11- Sat Jun 1
Manneken Press, Bloomington, IL
The exhibition featues new monotypes by Mel Cook.
Exhibition: Sat May 11- Sun Jun 9
Pocket Utopia, New York, NY
The artist Richard Tuttle is fascinated with 19th-century German Romanticism—he has collected German Romantic prints from the period and wrote a review for Brooklyn Rail on the work of Philipp Otto Runge. When C.G. Boerner gallery acquired all 72 etchings of the Romantic portfolio Malerisch-radirte Prospecte von Italien, including works by Johann Christian Reinhart, Albert Christoph Dies, and Jacob Wilhelm Mechau, Tuttle agreed to curate an exhibition of the prints. Tuttle points out that, since art historians increasingly act like artists when organizing exhibitions, it is only reasonable that artists should occasionally act like art historians. The exhibition will be accompanied by a catalogue with an essay by Richard Tuttle and an interview with the artist by Jarrett Earnest.
Exhibition: Wed May 15- Sun Jul 14
Lower East Side Printshop, New York, NY
The exhibition features new works by recipients of the Printshop’s Publishing and Special Editions Residencies: Alison Elizabeth Taylor, Sebastiaan Bremer, Joell Baxter, Jonggeon Lee, and Steven Millar, with a reception and catalogue launch on Wednesday, 22 May from 6-8pm.
Exhibition: Sat May 18- Sun Jun 16
ForYourArt, Los Angeles, CA
“John Baldessari: Crowds,” features new work as well as a selection of works from the 20 year collaboration between the artist and the printmaking studio Mixografia.
Exhibition: Thu May 23- Sun Sep 8
National Academy Museum, New York, NY
Showcasing a selection of narrative prints from the Academy’s collection, National Academician Andrew Raftery’s examination focuses on how printmakers structured the representation of time as they created narratives that were comprehensible to their original audiences and compelling today.
Exhibition: Fri May 24- Wed Jul 3
Highpoint Center for Printmaking, Minneapolis, MN
The Jerome Foundation is funding an annual program at Highpoint which provides artists with nine months of access to Highpoint’s printmaking facilities, stipends, technical support, critiques with artists and curators, and the opportunity to work in a studio environment that encourages experimentation and growth. This year’s exhibition features prints, mixed media collages and numerous other art objects by artists Jonas Criscoe, David Frohlich, and Caitlin Warner.
Exhibition: Wed May 29- Sun Aug 18
Fondazione Querini Stampalia, Venice, Italy
Qiu Zhijie’s dual exhibitions in Shanghai and Venice mark two ends of the first great experiment in globalization: Marco Polo’s 13th century round trip between Venice and China. Qiu is creating site-specific installations in museums at both ends of that trajectory. Originally trained as a printmaker, Qiu is creating site-specific maps—some made as rubbings on paper in the ancient Chinese manner, others drawn with ink directly on site—of the museums’ historical collections, charting the bizarre misunderstandings that arise from the cultural exchange between East and West, and between past and present.
Exhibition: Wed May 29- Sun Aug 18
Aurora Museum, Shanghai, China
Qiu Zhijie’s dual exhibitions in Shanghai and Venice mark two ends of the first great experiment in globalization: Marco Polo’s 13th century round trip between Venice and China. Qiu is creating site-specific installations in museums at both ends of that trajectory. Originally trained as a printmaker, Qiu is creating site-specific maps—some made as rubbings on paper in the ancient Chinese manner, others drawn with ink directly on site—of the museums’ historical collections, charting the bizarre misunderstandings that arise from the cultural exchange between East and West, and between past and present.
Exhibition: Thu Apr 18- Sat Jun 1
Gemini G.E.L. at Joni Moisant Weyl, New York, NY
In his most recent collaboration with the artists’ workshop Gemini G.E.L., John Baldessari has created a series of colorful screenprints titled Eight Soups. The series gives homage to Andy Warhol’s classic Soup Cans as well as a playful nod to Matisse’s 1912 painting, Goldfish and Sculpture, in the collection of the Museum of Modern Art.
Image credit: John Baldessari, Eight Soups (2012). ©2012 John Baldessari and Gemini G.E.L. LLC.
Exhibition: Mon Apr 29- Sat Jun 1
Alan Cristea Gallery, London, UK
This solo exhibition will feature prints, sculpture and installation work.
Exhibition: Fri Feb 1- Sun Jun 2
The Art Institute of Chicago, Chicago, IL
On the occasion of the Picasso show (see below), the museum has assembled a large number of modern prints and portfolios that—like certain Picasso endeavors—have literary connections. What really matters here, though, is the treasure trove on view: Robert Motherwell’s A la Pintura (1968–72), David Hockney’s The Blue Guitar (1976–77), Lesley Dill’s A Word Made Flesh (1994), the quirky seminal portfolio Stones (1957–59) by Frank O’Hara and Larry Rivers, and Jasper Johns’ Skin with O’Hara Poem (1963–65) among many others.
Exhibition: Sat Jan 26- Sun Jun 2
De Young Museum, San Francisco, CA
Drawn largely from the Fine Arts Museums’ Achenbach Foundation for Graphic Arts, this vast exhibition provides an ambitious overview of the Dutch Golden Age through prints and drawings. Hung alongside the blockbuster “Girl with a Pearl Earring” exhibition of paintings from the Mauritshuis in the Hague, “Rembrandt’s Century” is itself filled with beautiful impressions of 17th century European prints from Rembrandt and Hollar to Castiglione and Callot.
Exhibition: Sat Apr 20- Sat Jun 8
Charlie James Gallery, Los Angeles, CA.
For this show New York-based artist William Powhida fabricated a new collection of art works exclusively for Charlie James Gallery. Powhida was the recipient of the Lower East Side Printshop’s 2010 Publishing Residency.
Exhibition: Thu Mar 14- Sun Jun 9
M - Museum Leuven, Leuven, Belgium
This is the first major exhibition of prints from Hieronymus Cock’s “Aux Quatre Vents”—Northern Europe’s earliest print publishing venture—in 25 years, and includes more than 150 rarely seen 16th century works on paper. Cock and his wife Volcxken Diericx published prints after Raphael and Bronzino as well as works by Northern artists such as Maarten van Heemskerck, Hieronymus Bosch and Pieter Bruegel the Elder. Traveling across Europe, these images helped spread the styles and ideals of the Renaissance. The core of the exhibition comes from the Royal Library of Belgium with additional prints and drawings from the Fondation Custodia – Collection Frits Lugt and private collections. After its run in Leuven, the show will travel to the Institut Néerlandais in Paris, 18 September—15 November.
Exhibition: Sat Mar 9- Sun Jun 9
Japan Society, New York, NY
Organized by the Minneapolis Institute of Arts, and curated by Miwako Tezuka, PhD, Director, Japan Society Gallery, Edo Pop playfully juxtaposes classic ukiyo-e prints from such masters as Katsushika Hokusai and Utagawa Hiroshige with contemporary works inspired by these artists and their works.
Exhibition: Tue Apr 16- Fri Jun 14
Whitechapel Art Gallery, London, UK
The Tobias twins’ eclectic range of work, from the mammoth, decorative woodcuts to ceramics, is on view at the Whitechapel Gallery. The exhibition was earlier seen as part of the Whitechapel-curated Gallery at Windsor during Art Basel Miami.
Exhibition: Fri Apr 26- Sat Jun 15
online - Emanuel von Baeyer Cabinet
A collection of eight large etchings by Lucian Freud from 1984–1990.
Exhibition: Tue Mar 12- Sun Jun 16
The Frick Collection, New York, NY
This major exhibition of works on paper from the Sterling and Francine Clark Art Institute is a treasure trove of Impressionist and Post-Impressionist masterpieces, from Degas to Gauguin. It is accompanied by a substantial catalogue.
Exhibition: Fri Mar 8- Sun Jun 23
The New York Public Library, New York, NY
More than 80 rarely seen prints spanning 20 years of Cassatt’s activities as a printmaker will be on view in this major exhibition. As the NYPL’s print curator, Dr. Madeleine Viljoen observes, “While Cassatt’s work as a printmaker is well-known, very few collections are in a position to highlight her experimental attitude to the medium or to allow viewers to study just how she approached the often challenging task of making prints.”
Exhibition: Sun Feb 17- Mon Jun 24
MoMA, New York, NY
“Wait, Later This Will Be Nothing” represents the first half of the quixotic—and hugely influential—artist’s career through 160 prints, books and multiples. Multiplicity and variation, the dependability and unpredictability of change, were at the heart of Roth’s questioning of anything and everything. The exhibition includes many critically important Roth works, and is accompanied by a catalogue of the same name.
Exhibition: Wed Apr 24- Fri Jun 28
ETH Collectionof Prints and Drawings, Zurich, Switzerland
An unprecedented exhibition of van Dyck’s ambitious Iconographia portraits of more than 100 17th century luminaries. It includes a number of very rare early prints in addition to a large selection of the Iconographia engravings.
Exhibition: Wed Aug 22- Fri Jun 28
Harnett Museum of Art, University of Richmond, Richmond, VA
American artist, seminal composer, poet, and music theorist, John Cage (1912-1992) was one of the leading figures of the post-war avant-garde. Known as one of the most important composers of the twentieth century, Cage collaborated with several notable choreographers and artists, including Merce Cunningham, Marcel Duchamp, and Robert Rauschenberg.
To celebrate Cage’s centennial, the exhibition of prints include Not Wanting to Say Anything About Marcel, Lithograph A and Lithograph B, created in 1969 as a tribute to artist Marcel Duchamp (1887-1968), the influential French artist who was a friend and mentor of Cage. These two prints, along with his “Plexigrams,” were Cage’s first artworks as a visual artist.
Exhibition: Tue Feb 26- Sun Jun 30
Davis Museum, Wellesley, MA
This small selection of works by Josef Albers (1888 –1976) from the Davis collections invites close consideration of the geometric line in relation to color—or its absence—through prints and drawings, spanning 1944 to 1976.
Exhibition: Sat Apr 27- Sat Jul 13
Moeller Fine Art, Berlin, Germany
An exhibition of more than 50 woodcuts from Feininger’s personal collection, alongside related nature studies, including Chapel in the Woods, (1943), in which Feininger “recreates a woodblock print in oil on canvas.”
Exhibition: Fri Dec 21- Sun Jul 14
Rhode Island School of Design, Museum of Art, Providence, RI
Elaborate festivals transformed European cities from the 16th to 18th centuries. Occasions such as coronations and royal visits, civic and religious processions, and carnival races used public spaces as an interactive backdrop on a scale rarely seen today — replete with dazzling ephemeral architecture and decorations (giving artists and artisans a steady supply of work), impressive firework displays, musical and theatrical interludes, and free food and drink.
The Festive City brings together rarely seen festival prints and books, among our only traces of these staggeringly expensive but fleeting events.
Exhibition: Fri Apr 19- Sun Aug 11
Block Museum of Art, Northwestern University, Evanston, IL
The first exhibition in 60 years to show Gropper’s complete portfolio of 50 lithographs made in response to the blacklisting of artists in 1950s by the House Committee on Un-American Activities.
Exhibition: Sat Mar 2- Sun Sep 8
Zimmerli Art Museum of Rutgers University, New Brunswick, NJ
Henri-Gabriel Ibels (1867-1936) was as a prominent Parisian printmaker, illustrator, and poster designer. Like his friend and collaborator Henri de Toulouse-Lautrec, Ibels often featured performers from the theater, café-concert, and circus in his works, capturing their gestures using his signature vigorous line.
Exhibition: Sat Mar 23- Sun Sep 29
Zimmerli Art Museum, Rutgers University, New Brunswick, NJ
This is the first installment of an eventual two part survey of prints produced by master printer Maurice Sanchez at his Derrière l’Etoile Studio in New York (the second part will take place in the fall). This section includes works from 1980 to 1995 by artists such as Vito Acconci, John Baldessari, Mel Bochner, Sarah Charlesworth, Agnes Denes, Leon Golub, Yvonne Jacquette, Jeff Koons, Barbara Kruger, Robert Longo, Robert Mangold, Susan Rothenberg, and Laurie Simmons, among others.
Exhibition: Sun Mar 17- Sun Mar 2
Grafikstiftung Neo Rauch, Aschersleben, Germany
The second installment of a survey of Neo Rauch’s prolific career in printmaking, housed in a foundation dedicated to his work and located in his home town. For a review of the current exhibtion, click here.
Exhibition: Fri May 3- Sat Jun 1
Paul Stolper Gallery, London, UK
“Norwegian Wood” uses the music of the Beatles as its main reference point. Borrowing titles of songs and lyrics, the artist creates new works by transforming and changing these well-known word combinations into a new visual language. “I use letters and words as the architecture of my works - both for composition and conceptually, as a kind of emotional architecture.” (Magne F, March 2013.)
Exhibition: Thu Apr 18- Sat Jun 1
Gemini G.E.L. at Joni Moisant Weyl, New York, NY
In his most recent collaboration with the artists’ workshop Gemini G.E.L., John Baldessari has created a series of colorful screenprints titled Eight Soups. The series gives homage to Andy Warhol’s classic Soup Cans as well as a playful nod to Matisse’s 1912 painting, Goldfish and Sculpture, in the collection of the Museum of Modern Art.
Image credit: John Baldessari, Eight Soups (2012). ©2012 John Baldessari and Gemini G.E.L. LLC.
Exhibition: Sat May 11- Sat Jun 1
Manneken Press, Bloomington, IL
The exhibition featues new monotypes by Mel Cook.
Exhibition: Mon Apr 29- Sat Jun 1
Alan Cristea Gallery, London, UK
This solo exhibition will feature prints, sculpture and installation work.
Exhibition: Fri Feb 1- Sun Jun 2
The Art Institute of Chicago, Chicago, IL
On the occasion of the Picasso show (see below), the museum has assembled a large number of modern prints and portfolios that—like certain Picasso endeavors—have literary connections. What really matters here, though, is the treasure trove on view: Robert Motherwell’s A la Pintura (1968–72), David Hockney’s The Blue Guitar (1976–77), Lesley Dill’s A Word Made Flesh (1994), the quirky seminal portfolio Stones (1957–59) by Frank O’Hara and Larry Rivers, and Jasper Johns’ Skin with O’Hara Poem (1963–65) among many others.
Exhibition: Sat Jan 26- Sun Jun 2
De Young Museum, San Francisco, CA
Drawn largely from the Fine Arts Museums’ Achenbach Foundation for Graphic Arts, this vast exhibition provides an ambitious overview of the Dutch Golden Age through prints and drawings. Hung alongside the blockbuster “Girl with a Pearl Earring” exhibition of paintings from the Mauritshuis in the Hague, “Rembrandt’s Century” is itself filled with beautiful impressions of 17th century European prints from Rembrandt and Hollar to Castiglione and Callot.
Exhibition: Sat Apr 20- Sat Jun 8
Charlie James Gallery, Los Angeles, CA.
For this show New York-based artist William Powhida fabricated a new collection of art works exclusively for Charlie James Gallery. Powhida was the recipient of the Lower East Side Printshop’s 2010 Publishing Residency.
Exhibition: Thu Mar 14- Sun Jun 9
M - Museum Leuven, Leuven, Belgium
This is the first major exhibition of prints from Hieronymus Cock’s “Aux Quatre Vents”—Northern Europe’s earliest print publishing venture—in 25 years, and includes more than 150 rarely seen 16th century works on paper. Cock and his wife Volcxken Diericx published prints after Raphael and Bronzino as well as works by Northern artists such as Maarten van Heemskerck, Hieronymus Bosch and Pieter Bruegel the Elder. Traveling across Europe, these images helped spread the styles and ideals of the Renaissance. The core of the exhibition comes from the Royal Library of Belgium with additional prints and drawings from the Fondation Custodia – Collection Frits Lugt and private collections. After its run in Leuven, the show will travel to the Institut Néerlandais in Paris, 18 September—15 November.
Exhibition: Sat May 11- Sun Jun 9
Pocket Utopia, New York, NY
The artist Richard Tuttle is fascinated with 19th-century German Romanticism—he has collected German Romantic prints from the period and wrote a review for Brooklyn Rail on the work of Philipp Otto Runge. When C.G. Boerner gallery acquired all 72 etchings of the Romantic portfolio Malerisch-radirte Prospecte von Italien, including works by Johann Christian Reinhart, Albert Christoph Dies, and Jacob Wilhelm Mechau, Tuttle agreed to curate an exhibition of the prints. Tuttle points out that, since art historians increasingly act like artists when organizing exhibitions, it is only reasonable that artists should occasionally act like art historians. The exhibition will be accompanied by a catalogue with an essay by Richard Tuttle and an interview with the artist by Jarrett Earnest.
Exhibition: Sat Mar 9- Sun Jun 9
Japan Society, New York, NY
Organized by the Minneapolis Institute of Arts, and curated by Miwako Tezuka, PhD, Director, Japan Society Gallery, Edo Pop playfully juxtaposes classic ukiyo-e prints from such masters as Katsushika Hokusai and Utagawa Hiroshige with contemporary works inspired by these artists and their works.
Exhibition: Tue Apr 16- Fri Jun 14
Whitechapel Art Gallery, London, UK
The Tobias twins’ eclectic range of work, from the mammoth, decorative woodcuts to ceramics, is on view at the Whitechapel Gallery. The exhibition was earlier seen as part of the Whitechapel-curated Gallery at Windsor during Art Basel Miami.
Exhibition: Fri Apr 26- Sat Jun 15
online - Emanuel von Baeyer Cabinet
A collection of eight large etchings by Lucian Freud from 1984–1990.
Exhibition: Thu May 2- Sat Jun 15
Gemini G.E.L. at Joni Moisant Weyl, New York, NY
A small selection of Ellsworth Kelly’s collaborations with the Gemini G.E.L. artists’ workshop.
Image credit: Ellsworth Kelly, Blue with Black I (1974). ©1974 Ellsworth Kelly and Gemini G.E.L. LLC.
Exhibition: Tue Mar 12- Sun Jun 16
The Frick Collection, New York, NY
This major exhibition of works on paper from the Sterling and Francine Clark Art Institute is a treasure trove of Impressionist and Post-Impressionist masterpieces, from Degas to Gauguin. It is accompanied by a substantial catalogue.
Exhibition: Sat May 18- Sun Jun 16
ForYourArt, Los Angeles, CA
“John Baldessari: Crowds,” features new work as well as a selection of works from the 20 year collaboration between the artist and the printmaking studio Mixografia.
Exhibition: Fri Mar 8- Sun Jun 23
The New York Public Library, New York, NY
More than 80 rarely seen prints spanning 20 years of Cassatt’s activities as a printmaker will be on view in this major exhibition. As the NYPL’s print curator, Dr. Madeleine Viljoen observes, “While Cassatt’s work as a printmaker is well-known, very few collections are in a position to highlight her experimental attitude to the medium or to allow viewers to study just how she approached the often challenging task of making prints.”
Exhibition: Sun Feb 17- Mon Jun 24
MoMA, New York, NY
“Wait, Later This Will Be Nothing” represents the first half of the quixotic—and hugely influential—artist’s career through 160 prints, books and multiples. Multiplicity and variation, the dependability and unpredictability of change, were at the heart of Roth’s questioning of anything and everything. The exhibition includes many critically important Roth works, and is accompanied by a catalogue of the same name.
Exhibition: Wed Apr 24- Fri Jun 28
ETH Collectionof Prints and Drawings, Zurich, Switzerland
An unprecedented exhibition of van Dyck’s ambitious Iconographia portraits of more than 100 17th century luminaries. It includes a number of very rare early prints in addition to a large selection of the Iconographia engravings.
Exhibition: Wed Aug 22- Fri Jun 28
Harnett Museum of Art, University of Richmond, Richmond, VA
American artist, seminal composer, poet, and music theorist, John Cage (1912-1992) was one of the leading figures of the post-war avant-garde. Known as one of the most important composers of the twentieth century, Cage collaborated with several notable choreographers and artists, including Merce Cunningham, Marcel Duchamp, and Robert Rauschenberg.
To celebrate Cage’s centennial, the exhibition of prints include Not Wanting to Say Anything About Marcel, Lithograph A and Lithograph B, created in 1969 as a tribute to artist Marcel Duchamp (1887-1968), the influential French artist who was a friend and mentor of Cage. These two prints, along with his “Plexigrams,” were Cage’s first artworks as a visual artist.
Exhibition: Sat May 4- Sat Jun 29
The Annex Galleries, Santa Rosa, CA
William Seltzer Rice (1873-1963) is noted for his timeless images depicting California’s dramatic terrain and nature’s exquisite flora. This exhibit features his color woodcuts, etchings, drypoints, watercolors and linoleum cuts.
Exhibition: Tue Feb 26- Sun Jun 30
Davis Museum, Wellesley, MA
This small selection of works by Josef Albers (1888 –1976) from the Davis collections invites close consideration of the geometric line in relation to color—or its absence—through prints and drawings, spanning 1944 to 1976.
Exhibition: Tue Jun 4- Sat Jun 15
Paul Stolper Gallery, London, UK
The format of “SNAP 2012 – THE PORTFOLIO” is unusual in its scale, use of materials and subsequent display. Presented in an archival box, each of the eleven prints must be unfolded to reveal a sweeping, oversized print measuring 152.4cm x 101.6cm - figures and text are monumental and landscape all encompassing.
Conference: Wed Jun 5- Wed Jun 12
Printmaking Center of New Jersey, Branchburg, NJ
A two-day workshop introduction to traditional Japanese woodblock printing for contemporary artists.
Auction: Thu Jun 6
Swann Auction Galleries, New York, NY
Conference: Sat Jun 8
Highpoint Center for Printmaking, Minneapolis, MN
The event will feature two portfolio review sessions and a group discussion with guest reviewers (including special guest R.L. Tillman of PRINTERESTING.ORG). 8 June from 1:30 to 7:00 pm.
Exhibition: Thu Jun 13- Fri Aug 2
IPCNY - International Print Center New York, NY
Visual narrative has been a powerful presence in printmaking since its origins. Juror Andrew Raftery seeks new prints that reinvent this tradition for contemporary viewers. This exhibition is conceived as a counterpart to “Visualizing Time: Narrative Print/ from the National Academy” on view at the National Academy Museum in New York.
Exhibition: Fri Jun 14- Sun Sep 8
Kunstsammlungen der Veste Coburg, Coburg, Germany
Against the current background of debates about tolerance and blasphemy, the Kunstsammlungen der Veste Coburg has put together an exhibition of polemical images from both sides of the Protestant Reformation, when the new technology of prints carried the message much as the internet does today.
Conference: Mon Jun 17- Fri Jun 21
Highpoint Center for Printmaking, Minneapolis, MN
This course will cover an array of techniques for creating large-scale woodcut prints, using both traditional and contemporary approaches and materials.
Exhibition: Sat Jun 22- Sat Sep 21
Amon Carter Museum of American Art, Fort Worth, TX
Inspired by Thomas Berger’s novel Little Big Man, Leonard Baskin (1922–2000) began this series of eries of large-scale prints and drawings of American Indians in the 1960s, and continued to return to it for decades.
Exhibition: Thu Jun 27- Sun Sep 22
The Art Institute of Chicago, Chicago, IL
Displacement and memory, and a keen yearning for order, are the key themes running through the very compelling and personal survey, “Zarina: Paper Like Skin.” Zarina’s first-ever retrospective, spanning 50 years of the Indian-born artist’s work, presents not only a deeply felt personal commentary on a life lived in exile, but also a catalog of the remarkable breadth of technique that has become integrated into the printer’s art in the last half century.
The show was first on view at the Hammer Museum in Los Angeles (29 September - 30 December 2012) and will travel to the Guggenheim Museum, New York (25 January - 21 April 2013) and the Art Institute of Chicago (27 June - 22 September 2013).
Exhibition: Fri May 10- Wed Jul 3
Highpoint Center for Printmaking, Minneapolis, MN
Therese Krupp considers herself a storyteller and her woodcut prints an interpretation of a story.
Exhibition: Fri May 24- Wed Jul 3
Highpoint Center for Printmaking, Minneapolis, MN
The Jerome Foundation is funding an annual program at Highpoint which provides artists with nine months of access to Highpoint’s printmaking facilities, stipends, technical support, critiques with artists and curators, and the opportunity to work in a studio environment that encourages experimentation and growth. This year’s exhibition features prints, mixed media collages and numerous other art objects by artists Jonas Criscoe, David Frohlich, and Caitlin Warner.
Exhibition: Sat Apr 27- Sat Jul 13
Moeller Fine Art, Berlin, Germany
An exhibition of more than 50 woodcuts from Feininger’s personal collection, alongside related nature studies, including Chapel in the Woods, (1943), in which Feininger “recreates a woodblock print in oil on canvas.”
Exhibition: Wed May 15- Sun Jul 14
Lower East Side Printshop, New York, NY
The exhibition features new works by recipients of the Printshop’s Publishing and Special Editions Residencies: Alison Elizabeth Taylor, Sebastiaan Bremer, Joell Baxter, Jonggeon Lee, and Steven Millar, with a reception and catalogue launch on Wednesday, 22 May from 6-8pm.
Exhibition: Fri Dec 21- Sun Jul 14
Rhode Island School of Design, Museum of Art, Providence, RI
Elaborate festivals transformed European cities from the 16th to 18th centuries. Occasions such as coronations and royal visits, civic and religious processions, and carnival races used public spaces as an interactive backdrop on a scale rarely seen today — replete with dazzling ephemeral architecture and decorations (giving artists and artisans a steady supply of work), impressive firework displays, musical and theatrical interludes, and free food and drink.
The Festive City brings together rarely seen festival prints and books, among our only traces of these staggeringly expensive but fleeting events.
Exhibition: Fri Apr 19- Sun Aug 11
Block Museum of Art, Northwestern University, Evanston, IL
The first exhibition in 60 years to show Gropper’s complete portfolio of 50 lithographs made in response to the blacklisting of artists in 1950s by the House Committee on Un-American Activities.
Exhibition: Wed May 29- Sun Aug 18
Fondazione Querini Stampalia, Venice, Italy
Qiu Zhijie’s dual exhibitions in Shanghai and Venice mark two ends of the first great experiment in globalization: Marco Polo’s 13th century round trip between Venice and China. Qiu is creating site-specific installations in museums at both ends of that trajectory. Originally trained as a printmaker, Qiu is creating site-specific maps—some made as rubbings on paper in the ancient Chinese manner, others drawn with ink directly on site—of the museums’ historical collections, charting the bizarre misunderstandings that arise from the cultural exchange between East and West, and between past and present.
Exhibition: Wed May 29- Sun Aug 18
Aurora Museum, Shanghai, China
Qiu Zhijie’s dual exhibitions in Shanghai and Venice mark two ends of the first great experiment in globalization: Marco Polo’s 13th century round trip between Venice and China. Qiu is creating site-specific installations in museums at both ends of that trajectory. Originally trained as a printmaker, Qiu is creating site-specific maps—some made as rubbings on paper in the ancient Chinese manner, others drawn with ink directly on site—of the museums’ historical collections, charting the bizarre misunderstandings that arise from the cultural exchange between East and West, and between past and present.
Exhibition: Sat May 11- Sat Aug 31
David Krut Projects, Cape Town, South Africa
“The Benediction of Shade” is a group exhibition featuring a large selection of artists who have engaged with the figure, idea or metaphor of the forest or the tree in different ways and through various media. On view will be various prints by artists like William Kentridge, Sean Slemon, Ryan Arenson, Diane Victor, et al.
Exhibition: Sat Mar 2- Sun Sep 8
Zimmerli Art Museum of Rutgers University, New Brunswick, NJ
Henri-Gabriel Ibels (1867-1936) was as a prominent Parisian printmaker, illustrator, and poster designer. Like his friend and collaborator Henri de Toulouse-Lautrec, Ibels often featured performers from the theater, café-concert, and circus in his works, capturing their gestures using his signature vigorous line.
Exhibition: Fri May 3- Sun Sep 8
Art Gallery of Greater Victoria, BC, Canada
One of Canada’s most important printmakers, David Blackwood has depicted the life and locations of Newfoundland for 30 years, but his is a Newfoundland of the imagination—of epic struggles for survival and of cosmic forces at odds—as much as it is a geographical reality.
Exhibition: Thu May 23- Sun Sep 8
National Academy Museum, New York, NY
Showcasing a selection of narrative prints from the Academy’s collection, National Academician Andrew Raftery’s examination focuses on how printmakers structured the representation of time as they created narratives that were comprehensible to their original audiences and compelling today.
Exhibition: Sat Mar 23- Sun Sep 29
Zimmerli Art Museum, Rutgers University, New Brunswick, NJ
This is the first installment of an eventual two part survey of prints produced by master printer Maurice Sanchez at his Derrière l’Etoile Studio in New York (the second part will take place in the fall). This section includes works from 1980 to 1995 by artists such as Vito Acconci, John Baldessari, Mel Bochner, Sarah Charlesworth, Agnes Denes, Leon Golub, Yvonne Jacquette, Jeff Koons, Barbara Kruger, Robert Longo, Robert Mangold, Susan Rothenberg, and Laurie Simmons, among others.
Exhibition: Sun Mar 17- Sun Mar 2
Grafikstiftung Neo Rauch, Aschersleben, Germany
The second installment of a survey of Neo Rauch’s prolific career in printmaking, housed in a foundation dedicated to his work and located in his home town. For a review of the current exhibtion, click here.
Exhibition: Fri May 10- Wed Jul 3
Highpoint Center for Printmaking, Minneapolis, MN
Therese Krupp considers herself a storyteller and her woodcut prints an interpretation of a story.
Exhibition: Fri May 24- Wed Jul 3
Highpoint Center for Printmaking, Minneapolis, MN
The Jerome Foundation is funding an annual program at Highpoint which provides artists with nine months of access to Highpoint’s printmaking facilities, stipends, technical support, critiques with artists and curators, and the opportunity to work in a studio environment that encourages experimentation and growth. This year’s exhibition features prints, mixed media collages and numerous other art objects by artists Jonas Criscoe, David Frohlich, and Caitlin Warner.
Exhibition: Sat Apr 27- Sat Jul 13
Moeller Fine Art, Berlin, Germany
An exhibition of more than 50 woodcuts from Feininger’s personal collection, alongside related nature studies, including Chapel in the Woods, (1943), in which Feininger “recreates a woodblock print in oil on canvas.”
Exhibition: Wed May 15- Sun Jul 14
Lower East Side Printshop, New York, NY
The exhibition features new works by recipients of the Printshop’s Publishing and Special Editions Residencies: Alison Elizabeth Taylor, Sebastiaan Bremer, Joell Baxter, Jonggeon Lee, and Steven Millar, with a reception and catalogue launch on Wednesday, 22 May from 6-8pm.
Exhibition: Fri Dec 21- Sun Jul 14
Rhode Island School of Design, Museum of Art, Providence, RI
Elaborate festivals transformed European cities from the 16th to 18th centuries. Occasions such as coronations and royal visits, civic and religious processions, and carnival races used public spaces as an interactive backdrop on a scale rarely seen today — replete with dazzling ephemeral architecture and decorations (giving artists and artisans a steady supply of work), impressive firework displays, musical and theatrical interludes, and free food and drink.
The Festive City brings together rarely seen festival prints and books, among our only traces of these staggeringly expensive but fleeting events.
Conference: Mon Jul 15- Fri Jul 19
Making Art Safely, Santa Fe, NM
A one-week intensive workshop in water-based Japanese woodblock printing with Mokuhanga expert April Vollmer.
Conference: Wed Jul 17- Wed Sep 4
Lower East Side Printshop, New York, NY
Six Wednesday evenings working with traditional Japanese woodblock printing for contemporary artists.
Exhibition: Tue Jul 23- Sun Jan 19
Amon Carter Museum of American Art, Fort Worth, TX
“June Wayne: The Tamarind Decade” features approximately fifteen works created during her oversight of the Tamarind Lithography Workshop, including prints in various states or versions that communicate how the artist reworked themes in different iterations.
Exhibition: Thu Jun 13- Fri Aug 2
IPCNY - International Print Center New York, NY
Visual narrative has been a powerful presence in printmaking since its origins. Juror Andrew Raftery seeks new prints that reinvent this tradition for contemporary viewers. This exhibition is conceived as a counterpart to “Visualizing Time: Narrative Print/ from the National Academy” on view at the National Academy Museum in New York.
Exhibition: Fri Apr 19- Sun Aug 11
Block Museum of Art, Northwestern University, Evanston, IL
The first exhibition in 60 years to show Gropper’s complete portfolio of 50 lithographs made in response to the blacklisting of artists in 1950s by the House Committee on Un-American Activities.
Exhibition: Wed May 29- Sun Aug 18
Fondazione Querini Stampalia, Venice, Italy
Qiu Zhijie’s dual exhibitions in Shanghai and Venice mark two ends of the first great experiment in globalization: Marco Polo’s 13th century round trip between Venice and China. Qiu is creating site-specific installations in museums at both ends of that trajectory. Originally trained as a printmaker, Qiu is creating site-specific maps—some made as rubbings on paper in the ancient Chinese manner, others drawn with ink directly on site—of the museums’ historical collections, charting the bizarre misunderstandings that arise from the cultural exchange between East and West, and between past and present.
Exhibition: Wed May 29- Sun Aug 18
Aurora Museum, Shanghai, China
Qiu Zhijie’s dual exhibitions in Shanghai and Venice mark two ends of the first great experiment in globalization: Marco Polo’s 13th century round trip between Venice and China. Qiu is creating site-specific installations in museums at both ends of that trajectory. Originally trained as a printmaker, Qiu is creating site-specific maps—some made as rubbings on paper in the ancient Chinese manner, others drawn with ink directly on site—of the museums’ historical collections, charting the bizarre misunderstandings that arise from the cultural exchange between East and West, and between past and present.
Exhibition: Sat May 11- Sat Aug 31
David Krut Projects, Cape Town, South Africa
“The Benediction of Shade” is a group exhibition featuring a large selection of artists who have engaged with the figure, idea or metaphor of the forest or the tree in different ways and through various media. On view will be various prints by artists like William Kentridge, Sean Slemon, Ryan Arenson, Diane Victor, et al.
Exhibition: Sat Mar 2- Sun Sep 8
Zimmerli Art Museum of Rutgers University, New Brunswick, NJ
Henri-Gabriel Ibels (1867-1936) was as a prominent Parisian printmaker, illustrator, and poster designer. Like his friend and collaborator Henri de Toulouse-Lautrec, Ibels often featured performers from the theater, café-concert, and circus in his works, capturing their gestures using his signature vigorous line.
Exhibition: Fri Jun 14- Sun Sep 8
Kunstsammlungen der Veste Coburg, Coburg, Germany
Against the current background of debates about tolerance and blasphemy, the Kunstsammlungen der Veste Coburg has put together an exhibition of polemical images from both sides of the Protestant Reformation, when the new technology of prints carried the message much as the internet does today.
Exhibition: Fri May 3- Sun Sep 8
Art Gallery of Greater Victoria, BC, Canada
One of Canada’s most important printmakers, David Blackwood has depicted the life and locations of Newfoundland for 30 years, but his is a Newfoundland of the imagination—of epic struggles for survival and of cosmic forces at odds—as much as it is a geographical reality.
Exhibition: Thu May 23- Sun Sep 8
National Academy Museum, New York, NY
Showcasing a selection of narrative prints from the Academy’s collection, National Academician Andrew Raftery’s examination focuses on how printmakers structured the representation of time as they created narratives that were comprehensible to their original audiences and compelling today.
Exhibition: Sat Jun 22- Sat Sep 21
Amon Carter Museum of American Art, Fort Worth, TX
Inspired by Thomas Berger’s novel Little Big Man, Leonard Baskin (1922–2000) began this series of eries of large-scale prints and drawings of American Indians in the 1960s, and continued to return to it for decades.
Exhibition: Thu Jun 27- Sun Sep 22
The Art Institute of Chicago, Chicago, IL
Displacement and memory, and a keen yearning for order, are the key themes running through the very compelling and personal survey, “Zarina: Paper Like Skin.” Zarina’s first-ever retrospective, spanning 50 years of the Indian-born artist’s work, presents not only a deeply felt personal commentary on a life lived in exile, but also a catalog of the remarkable breadth of technique that has become integrated into the printer’s art in the last half century.
The show was first on view at the Hammer Museum in Los Angeles (29 September - 30 December 2012) and will travel to the Guggenheim Museum, New York (25 January - 21 April 2013) and the Art Institute of Chicago (27 June - 22 September 2013).
Exhibition: Sat Mar 23- Sun Sep 29
Zimmerli Art Museum, Rutgers University, New Brunswick, NJ
This is the first installment of an eventual two part survey of prints produced by master printer Maurice Sanchez at his Derrière l’Etoile Studio in New York (the second part will take place in the fall). This section includes works from 1980 to 1995 by artists such as Vito Acconci, John Baldessari, Mel Bochner, Sarah Charlesworth, Agnes Denes, Leon Golub, Yvonne Jacquette, Jeff Koons, Barbara Kruger, Robert Longo, Robert Mangold, Susan Rothenberg, and Laurie Simmons, among others.
Exhibition: Sun Mar 17- Sun Mar 2
Grafikstiftung Neo Rauch, Aschersleben, Germany
The second installment of a survey of Neo Rauch’s prolific career in printmaking, housed in a foundation dedicated to his work and located in his home town. For a review of the current exhibtion, click here.
Exhibition: Thu Jun 13- Fri Aug 2
IPCNY - International Print Center New York, NY
Visual narrative has been a powerful presence in printmaking since its origins. Juror Andrew Raftery seeks new prints that reinvent this tradition for contemporary viewers. This exhibition is conceived as a counterpart to “Visualizing Time: Narrative Print/ from the National Academy” on view at the National Academy Museum in New York.
Exhibition: Fri Apr 19- Sun Aug 11
Block Museum of Art, Northwestern University, Evanston, IL
The first exhibition in 60 years to show Gropper’s complete portfolio of 50 lithographs made in response to the blacklisting of artists in 1950s by the House Committee on Un-American Activities.
Exhibition: Wed May 29- Sun Aug 18
Fondazione Querini Stampalia, Venice, Italy
Qiu Zhijie’s dual exhibitions in Shanghai and Venice mark two ends of the first great experiment in globalization: Marco Polo’s 13th century round trip between Venice and China. Qiu is creating site-specific installations in museums at both ends of that trajectory. Originally trained as a printmaker, Qiu is creating site-specific maps—some made as rubbings on paper in the ancient Chinese manner, others drawn with ink directly on site—of the museums’ historical collections, charting the bizarre misunderstandings that arise from the cultural exchange between East and West, and between past and present.
Exhibition: Wed May 29- Sun Aug 18
Aurora Museum, Shanghai, China
Qiu Zhijie’s dual exhibitions in Shanghai and Venice mark two ends of the first great experiment in globalization: Marco Polo’s 13th century round trip between Venice and China. Qiu is creating site-specific installations in museums at both ends of that trajectory. Originally trained as a printmaker, Qiu is creating site-specific maps—some made as rubbings on paper in the ancient Chinese manner, others drawn with ink directly on site—of the museums’ historical collections, charting the bizarre misunderstandings that arise from the cultural exchange between East and West, and between past and present.
Exhibition: Sat May 11- Sat Aug 31
David Krut Projects, Cape Town, South Africa
“The Benediction of Shade” is a group exhibition featuring a large selection of artists who have engaged with the figure, idea or metaphor of the forest or the tree in different ways and through various media. On view will be various prints by artists like William Kentridge, Sean Slemon, Ryan Arenson, Diane Victor, et al.
Conference: Fri Aug 9- Sun Aug 11
Farnsworth Museum, Rockland, ME
An intensive introductory workshop which participant will cut and print an edition of color prints with this water-based, nontoxic technique.
Conference: Wed Jul 17- Wed Sep 4
Lower East Side Printshop, New York, NY
Six Wednesday evenings working with traditional Japanese woodblock printing for contemporary artists.
Exhibition: Sat Mar 2- Sun Sep 8
Zimmerli Art Museum of Rutgers University, New Brunswick, NJ
Henri-Gabriel Ibels (1867-1936) was as a prominent Parisian printmaker, illustrator, and poster designer. Like his friend and collaborator Henri de Toulouse-Lautrec, Ibels often featured performers from the theater, café-concert, and circus in his works, capturing their gestures using his signature vigorous line.
Exhibition: Fri Jun 14- Sun Sep 8
Kunstsammlungen der Veste Coburg, Coburg, Germany
Against the current background of debates about tolerance and blasphemy, the Kunstsammlungen der Veste Coburg has put together an exhibition of polemical images from both sides of the Protestant Reformation, when the new technology of prints carried the message much as the internet does today.
Exhibition: Fri May 3- Sun Sep 8
Art Gallery of Greater Victoria, BC, Canada
One of Canada’s most important printmakers, David Blackwood has depicted the life and locations of Newfoundland for 30 years, but his is a Newfoundland of the imagination—of epic struggles for survival and of cosmic forces at odds—as much as it is a geographical reality.
Exhibition: Thu May 23- Sun Sep 8
National Academy Museum, New York, NY
Showcasing a selection of narrative prints from the Academy’s collection, National Academician Andrew Raftery’s examination focuses on how printmakers structured the representation of time as they created narratives that were comprehensible to their original audiences and compelling today.
Exhibition: Sat Jun 22- Sat Sep 21
Amon Carter Museum of American Art, Fort Worth, TX
Inspired by Thomas Berger’s novel Little Big Man, Leonard Baskin (1922–2000) began this series of eries of large-scale prints and drawings of American Indians in the 1960s, and continued to return to it for decades.
Exhibition: Thu Jun 27- Sun Sep 22
The Art Institute of Chicago, Chicago, IL
Displacement and memory, and a keen yearning for order, are the key themes running through the very compelling and personal survey, “Zarina: Paper Like Skin.” Zarina’s first-ever retrospective, spanning 50 years of the Indian-born artist’s work, presents not only a deeply felt personal commentary on a life lived in exile, but also a catalog of the remarkable breadth of technique that has become integrated into the printer’s art in the last half century.
The show was first on view at the Hammer Museum in Los Angeles (29 September - 30 December 2012) and will travel to the Guggenheim Museum, New York (25 January - 21 April 2013) and the Art Institute of Chicago (27 June - 22 September 2013).
Exhibition: Sat Mar 23- Sun Sep 29
Zimmerli Art Museum, Rutgers University, New Brunswick, NJ
This is the first installment of an eventual two part survey of prints produced by master printer Maurice Sanchez at his Derrière l’Etoile Studio in New York (the second part will take place in the fall). This section includes works from 1980 to 1995 by artists such as Vito Acconci, John Baldessari, Mel Bochner, Sarah Charlesworth, Agnes Denes, Leon Golub, Yvonne Jacquette, Jeff Koons, Barbara Kruger, Robert Longo, Robert Mangold, Susan Rothenberg, and Laurie Simmons, among others.
Exhibition: Tue Jul 23- Sun Jan 19
Amon Carter Museum of American Art, Fort Worth, TX
“June Wayne: The Tamarind Decade” features approximately fifteen works created during her oversight of the Tamarind Lithography Workshop, including prints in various states or versions that communicate how the artist reworked themes in different iterations.
Exhibition: Sun Mar 17- Sun Mar 2
Grafikstiftung Neo Rauch, Aschersleben, Germany
The second installment of a survey of Neo Rauch’s prolific career in printmaking, housed in a foundation dedicated to his work and located in his home town. For a review of the current exhibtion, click here.
Conference: Wed Jul 17- Wed Sep 4
Lower East Side Printshop, New York, NY
Six Wednesday evenings working with traditional Japanese woodblock printing for contemporary artists.
Exhibition: Sat Mar 2- Sun Sep 8
Zimmerli Art Museum of Rutgers University, New Brunswick, NJ
Henri-Gabriel Ibels (1867-1936) was as a prominent Parisian printmaker, illustrator, and poster designer. Like his friend and collaborator Henri de Toulouse-Lautrec, Ibels often featured performers from the theater, café-concert, and circus in his works, capturing their gestures using his signature vigorous line.
Exhibition: Fri Jun 14- Sun Sep 8
Kunstsammlungen der Veste Coburg, Coburg, Germany
Against the current background of debates about tolerance and blasphemy, the Kunstsammlungen der Veste Coburg has put together an exhibition of polemical images from both sides of the Protestant Reformation, when the new technology of prints carried the message much as the internet does today.
Exhibition: Fri May 3- Sun Sep 8
Art Gallery of Greater Victoria, BC, Canada
One of Canada’s most important printmakers, David Blackwood has depicted the life and locations of Newfoundland for 30 years, but his is a Newfoundland of the imagination—of epic struggles for survival and of cosmic forces at odds—as much as it is a geographical reality.
Exhibition: Thu May 23- Sun Sep 8
National Academy Museum, New York, NY
Showcasing a selection of narrative prints from the Academy’s collection, National Academician Andrew Raftery’s examination focuses on how printmakers structured the representation of time as they created narratives that were comprehensible to their original audiences and compelling today.
Exhibition: Sat Jun 22- Sat Sep 21
Amon Carter Museum of American Art, Fort Worth, TX
Inspired by Thomas Berger’s novel Little Big Man, Leonard Baskin (1922–2000) began this series of eries of large-scale prints and drawings of American Indians in the 1960s, and continued to return to it for decades.
Exhibition: Thu Jun 27- Sun Sep 22
The Art Institute of Chicago, Chicago, IL
Displacement and memory, and a keen yearning for order, are the key themes running through the very compelling and personal survey, “Zarina: Paper Like Skin.” Zarina’s first-ever retrospective, spanning 50 years of the Indian-born artist’s work, presents not only a deeply felt personal commentary on a life lived in exile, but also a catalog of the remarkable breadth of technique that has become integrated into the printer’s art in the last half century.
The show was first on view at the Hammer Museum in Los Angeles (29 September - 30 December 2012) and will travel to the Guggenheim Museum, New York (25 January - 21 April 2013) and the Art Institute of Chicago (27 June - 22 September 2013).
Exhibition: Sat Mar 23- Sun Sep 29
Zimmerli Art Museum, Rutgers University, New Brunswick, NJ
This is the first installment of an eventual two part survey of prints produced by master printer Maurice Sanchez at his Derrière l’Etoile Studio in New York (the second part will take place in the fall). This section includes works from 1980 to 1995 by artists such as Vito Acconci, John Baldessari, Mel Bochner, Sarah Charlesworth, Agnes Denes, Leon Golub, Yvonne Jacquette, Jeff Koons, Barbara Kruger, Robert Longo, Robert Mangold, Susan Rothenberg, and Laurie Simmons, among others.
Exhibition: Sun Sep 1- Wed Jan 1
National Gallery of Art, Washington, D.C.
“Yes, No, Maybe” looks at sequences of artistic choices by juxtaposing fully resolved prints and related working proofs produced at the influential studio Crown Point Press between 1972 and 2010. Some 80 prints are featured by a range of artists, from the renowned Richard Diebenkorn, John Cage, and Chuck Close to the more recently acclaimed Mamma Andersson, Julie Mehretu, and Chris Ofili.
Fair: Mon Sep 9- Sat Sep 21
St. Margaret's Church Gallery, Norwich, UK
The Norwich Print Fair is an independent show selling contemporary, original and hand-made prints. On Open Portfolio Saturdays all artists will be present, showing additional work and available to discuss their prints. See selected ‘Printmakers in Action’ on Sunday 15th and discover how they create their images.
Exhibition: Tue Jul 23- Sun Jan 19
Amon Carter Museum of American Art, Fort Worth, TX
“June Wayne: The Tamarind Decade” features approximately fifteen works created during her oversight of the Tamarind Lithography Workshop, including prints in various states or versions that communicate how the artist reworked themes in different iterations.
Exhibition: Sun Mar 17- Sun Mar 2
Grafikstiftung Neo Rauch, Aschersleben, Germany
The second installment of a survey of Neo Rauch’s prolific career in printmaking, housed in a foundation dedicated to his work and located in his home town. For a review of the current exhibtion, click here.
Exhibition: Sat Oct 5- Sun Jan 5
Blanton Museum of Art, Austin, TX
This exhibition, organized by the National Gallery of Art in Washington D.C. will emphasize the rich and varied world of works of art on paper produced in Renaissance Augsburg (1475–1540), paying particular attention to innovative printmaking techniques as well as the fundamental role of imperial patronage in furthering these activities.
Exhibition: Sat Oct 19- Sun Mar 16
Amon Carter Museum of American Art, Fort Worth, TX
José Guadalupe Posada, who died 100 years ago, remains a critical and influential figure in Mexican art. Over the course of his life, he executed some 15,000 penny press prints. This exhibition focuses on Posada’s male figures—outlaws, demons, politicians, matadors, and rural heroes (valientes) such as Don Chepito and Calaveras.
Exhibition: Sat Oct 26- Sat Dec 14
California State University, Northridge Art Galleries, Los Angeles, CA
LAPS 21st National Exhibition is sponsored by the Los Angeles Printmaking Society. Juror: Jack Rutberg of Jack Rutberg Fine Arts.
Exhibition: Sun Sep 1- Wed Jan 1
National Gallery of Art, Washington, D.C.
“Yes, No, Maybe” looks at sequences of artistic choices by juxtaposing fully resolved prints and related working proofs produced at the influential studio Crown Point Press between 1972 and 2010. Some 80 prints are featured by a range of artists, from the renowned Richard Diebenkorn, John Cage, and Chuck Close to the more recently acclaimed Mamma Andersson, Julie Mehretu, and Chris Ofili.
Exhibition: Tue Jul 23- Sun Jan 19
Amon Carter Museum of American Art, Fort Worth, TX
“June Wayne: The Tamarind Decade” features approximately fifteen works created during her oversight of the Tamarind Lithography Workshop, including prints in various states or versions that communicate how the artist reworked themes in different iterations.
Exhibition: Sun Mar 17- Sun Mar 2
Grafikstiftung Neo Rauch, Aschersleben, Germany
The second installment of a survey of Neo Rauch’s prolific career in printmaking, housed in a foundation dedicated to his work and located in his home town. For a review of the current exhibtion, click here.
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