On October 2016, a new exhibition opened at the Freud Museum in Vienna: “Setting Memory: Bettina von Zwehl & Paul Coldwell.” I was immediately struck by Paul Coldwell’s print Temporarily Accessioned (2016). A life-sized image of a coat, collaged from 14 X-rays, it was displayed on the eastern wall of Freud’s former private flat in Berggasse 19. The print was of a size and hung at a height that I could see my reflection in the glass of the frame as if I were wearing the coat. It had an intriguing beauty—the delicate and translucent shape of the crinkles, the metal ticks to close the collar, the long sleeves, the pockets that seemed to indicate something inside, the buttons and little pieces of radio-opaque material inside the medial corners of the coat’s lower hemline.
“Banco! Banqueroute!” The Malassis do Money
- by Rachel Stella
- Rachel Stella analyzes faux monetary screenprints of the French 1970s Coopérative des Malassis.
Deep Fakes: Ray Beldner Talks with Renée Bott About Making Art With Money and Money With Art
- by Renée Bott
- Ray Beldner speaks with Renée Bott about his Counterfeits.
Orit Hofshi: Deep Time
- by Sarah Kirk Hanley
- Sarah Kirk Hanley surveys Orit Hofshi’s ruminations on land, water and time.
A Study in Light: New Prints by Chris Ofili
- by Re'al Christian
- Re’al Christian introduces two new etching series by Chris Ofili that encompass natural beauty and human tragedy.
- by Faye Hirsch
- “Pulled in Brooklyn: 26 Printshops, 101 Artists,” reviewed by Faye Hirsch.