Genevieve Verdigel is currently preparing a PhD on the print production of Benedetto Montagna at the Warburg Institute, London. She completed her BA and MA at the Courtauld Institute. She was a 2016 Bromberg Fellow at the British Museum, where she catalogued Italian topographical prints and drawings.

Stepping out of Raphael’s Shadow

Marcantonio Raimondi, Il Sogno (The Dream of Raphael, ca. 1509), engraving, 23.5 x 33.5 cm, The Syndics of the Fitzwilliam Museum, University of Cambridge, P.5380-R ©Fitzwilliam Museum, University of Cambridge.

“Raphael’s engraver.” The title has simultaneously assured Marcantonio Raimondi’s (ca. 1480–ca. 1534) status as the preeminent Italian Renaissance printmaker and overshadowed the recognition of his independent artistic proficiency Read More