
Picturing the Invisible
Paul Coldwell, Ruins III (Silver) (2018), woodcut, 56 x 76 cm.
Picturing the Invisible is an interdisciplinary project funded through the British Arts and Humanities Research Council that brings together specialists from a variety of disciplines to discuss how they go about creating images—concrete or ideational—of things that cannot be seen. Read More
Recommended Reading for the Print-Curious PART II

Recommended Reading for the Print-Curious PART I

Art Intelligence: Jan Svenungsson on Making and Thinking

Art Triage: Eric Avery and Adam DelMarcelle Take On the Opioid Crisis
Adam DelMarcelle, Tools for Breathing (2018), series of six screenprints, 20 x 16 inches, and Eric Avery, Emergency Response (2018), six linocuts with stenciled spraypaint, 16 x 20 inches. Editions of 30. Printed and published by the artists.
The night is beautiful, the sky a deep crepuscular blue, the lights in the farm building glow a homey yellow, but on the silo a bright white image looms beautiful and awful: Read More
On Watching the Detectives

Jane Kent and Major Jackson Winter / Endless (2018)

Edge of Visibility
A Guide to the Exhibition
On View 4 October – 19 December, 2018
International Print Read More
Alexander Cozens, spread from A new method of assisting the invention in drawing original compositions of landscape (London: A. Cozens and J. Dodsley, 1785). Yale University Beinecke Rare Book & Manuscript Library. Gerhard Richter, Hund (Dog) (1965), screenprint, 64.9 x 49.9 cm. Image courtesy Museum Folkwang, Essen.
All Cloudy, Except One Large Opening…The Skies of Alexander Cozens (1717–1786)
Richter and Polke
I don’t mistrust reality, of which I know next to nothing, I mistrust the picture of reality conveyed to us by our senses…My own relationship to reality… Read More