Michael Menchaca describes his work as a “digital codex”—a phrase that captures the juxtaposition and, sometimes, tension between the pre-Columbian and contemporary cultures that he cites. If this cultural collision has echoes of Enrique Chagoya’s codices [see Art in Print Mar–Apr 2012 and July–Aug 2013], Menchaca’s focus on videogames takes his visual language and content in a different direction.