Jasper Johns, detail from Regrets (2014).
Art in Print covers from Volume 1 and 2.
Barthélemy Roger, after Pierre-Paul Prud’hon, detail from L’Amour séduit l’Innocence (Innocence Seduced by Love) (Salon of 1812).
Edward Bawden, detail from Sunday Evening (1949).
Best known for his intricate collages, Arturo Herrera has scoured Berlin flea markets for year. In his Books project, he has altered all the surfaces of found books with screenprinted patterns, remaking them as visual (and intermittently legible) works of art.
Marlborough Galleries’ recent exhibition demonstrates that line was just as essential as color to the art of Henri Matisse.
This review appears in the September-October issue of Art in Print (Vol.4, No.3).
Guest juror and curator/consultant Nigel Frank celebrates Brian Cohen’s portrait of Walter White, Breaking Bad’s meth-dealing homebody.
Georg Baselitz began collecting chiaroscuro woodcuts in 1965 and soon after began adapting the technique to his own work. Two recent exhibitions catalog this relationship.