Jürgen Partenheimer describes the process of making prints as if he is discovering another new landscape: ”Like atolls, islands and the jetties of foreign/landscapes, they emerge from furrowed/ ranks. Evidence and traces/ an archaeology of imagined pictures,/ exposed and ready for printing, /crowning their presence.” Read more.
David Musgrave’s finely wrought drawings investigate transmutation: his “plane” and “golem” drawings depict common materials—folded and torn paper, children’s string constructions—arranged and charged with figurative power. In his new set of prints, Musgrave extends the mimetic prowess of these meticulous trompe l’œils, blurring the line between abstraction and figuration.
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These prints mark Gert and Uwe Tobias’ first lithographs and first project with Galerie Sabine Knust. Best known for their large-scale woodcuts, the Tobias twins have drawn extensively on their cultural heritage, incorporating the decorative properties and materials of Romanian folk-art as well as the twisted gothic fantasies associated with Transylvania.
