Barthélemy Roger, after Pierre-Paul Prud’hon, detail from L’Amour séduit l’Innocence (Innocence Seduced by Love) (Salon of 1812).
Edward Bawden, detail from Sunday Evening (1949).
Vincent van Gogh, detail from La Berceuse (Woman Rocking a Cradle; Augustine-Alix Pellicot Roulin, 1851–1930) (1889).
Art in Print covers from Volume 1 and 2.
Guest juror and curator/consultant Nigel Frank celebrates Brian Cohen’s portrait of Walter White, Breaking Bad’s meth-dealing homebody.
“Person holding poster” has become an online paradigm and cliché—a way to demonstrate genuine physical presence, and by extension, to convey some property of authenticity. Jason Urban considers what this says about what we seek in printed images.
Jasper Kettner reviews White Noise, the first major catalogue devoted to the work of Christiane Baumgartner.
Georg Baselitz began collecting chiaroscuro woodcuts in 1965 and soon after began adapting the technique to his own work. Two recent exhibitions catalog this relationship.