Barthélemy Roger, after Pierre-Paul Prud’hon, detail from L’Amour séduit l’Innocence (Innocence Seduced by Love) (Salon of 1812).

Will Photography Kill Engraving?

Edward Bawden, detail from Sunday Evening (1949).

Charm, the Great English Blight: Edward Bawden in 1949

Vincent van Gogh, detail from La Berceuse (Woman Rocking a Cradle; Augustine-Alix Pellicot Roulin, 1851–1930) (1889).

Cézanne and Wallpaper: “Backgrounds As Imaginary As They Are Real”

Art in Print covers from Volume 1 and 2.

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Prix de Print No. 7: A Television ‘Tronie’ by Brian Cohen

Guest juror and curator/consultant Nigel Frank celebrates Brian Cohen’s portrait of Walter White, Breaking Bad’s meth-dealing homebody.

Stagecraft: Designers, Artists and the Theater of Print in a Digital World

“Person holding poster” has become an online paradigm and cliché—a way to demonstrate genuine physical presence, and by extension, to convey some property of authenticity. Jason Urban considers what this says about what we seek in printed images.

Christiane Baumgartner: White Noise

Jasper Kettner reviews White Noise, the first major catalogue devoted to the work of Christiane Baumgartner.

Chiaroscuro Woodcut: Baselitz Divided

Georg Baselitz began collecting chiaroscuro woodcuts in 1965 and soon after began adapting the technique to his own work. Two recent exhibitions catalog this relationship.