To The Last Syllable of Recorded Time: Christian Marclay
At the end of the eight-page description of Diego Velazquez’ Las Meninas (1656) that opens The Order of Things, Michel Foucault acknowledged a fundamental snag in his undertaking
At the end of the eight-page description of Diego Velazquez’ Las Meninas (1656) that opens The Order of Things, Michel Foucault acknowledged a fundamental snag in his undertaking